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Daredevil #501
CBR | Oct 2009 | 26 Pages | 19.8 MB
Daredevil along with Batman are two superhero properties where, ever since Frank Miller's deconstructions of their characters and mythos, creators are always inspired with the wildest and the boldest of ideas and storylines. In Daredevil #501 Diggle and De La Torre begin with a stark change in status quo: Matt Murdock has broken all ties with his friends and assumed leadership of The Hand, the deadly ninja cult he's been battling since the days of Miller and Klaus Jansen. It's a radical transformation, to be sure, but to drive home the bolt to help seal it Diggle has Daredevil undergo the final initiation that will make him truly the leader of The Hand.
Believe me when I tell you this is not just a one-surprise issue. If Diggle's writing is the core, surely De La Torre's artwork is the crust and finishing. In his own way just as definitive with his dark shadows, granularity and forceful panels he completes the new direction for the title, making it one of the most exciting in Marvel's roster in years. It's no wonder, then, that IGN gave this issue a "Great" 8.8 out of 10 stars rating.
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Dark Reign: The List - Daredevil #1 (One-Shot)
CBR | Sep 16, 2009 | 38 Pages | 16.4 MB
After the shocking events of DAREDEVIL 500, Norman Osborn’s eyes turn to Hell’s Kitchen – and he doesn’t like what he sees. Now Osborn dispatches the only assassin he can rely on to kill Daredevil – Bullseye – but all is not as it seems. It’s a fight that’s been brewing for years…featuring the DAREDEVIL debut of writer Andy Diggle, and the superstar talents of artist Billy Tan! Plus, a preview of Daredevil #501, Andy Diggle's first issue of DD, and character designs! Written by: Andy Diggle; Art by: Billy Tan
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Daredevil Visionaries: Frank Miller Volume 2 Trade Paperback (TPB)
CBZ | March 2002 | 357 Pages | 152.5 MB
Daredevil Visionaries: Frank Miller Volume 2 was a trade paperback (TPB) published by Marvel Comics that contains stories originally published by Marvel in single-issue comics magazine form as Daredevil (Vol. 1) #168-182. The modern definition of Daredevil began in 1979 with Frank Miller's entrance on the title. Miller's first contributions were as an artist, where he imbued a new dynamism and a dramatically different visual style. The series' tone became noirish with Hell's Kitchen itself playing a more prominent role. With Issue #168, Miller additionally became the series' writer, and the comic underwent a drastic metamorphosis.
The most significant change was the introduction of Spider-Man villain Kingpin as Daredevil's new arch-nemesis. Until that point, Daredevil's enemies were primarily, though not exclusively, costumed villains. The Kingpin was a departure in that although he possessed extraordinary size, strength and fighting ability, his villainy came from his ruthless brilliance in running a criminal empire, rather than superpowers. The title still retained costumed antagonists — notably Bullseye and Elektra — but found its central theme to be one more grounded in reality: organized crime.
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Daredevil. Volume 2. Number 110
October 2008 | 25 pages | PDF | 13MB
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